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Ephemeral (Human) Power

Ozymandias' power comes to an end. This reflects Shelley's overarching message that human power is ephemeral (temporary). Shelley uses these techniques to emphasise the ephemeral nature of Ozymandias' power:

Ruined statue metaphor

Ruined statue metaphor

  • The ruined statue is a metaphor for political power.
  • Just as the face of the statue is “shattered”, “decay[ed]” and a “wreck”, so too is Ozymandias’ power.
Juxtaposition

Juxtaposition

  • The juxtaposition (placing two things together for comparison or contrast) of “colossal” and “wreck” emphasises the contrast between his former power and his current state.
Caesura

Caesura

  • The caesura (break in the line) after “remains” in line 12 highlights how Ozymandias’ power has come to an end.

Negative Portrayal of Ozymandias

Shelley portrays Ozymandias negatively to show his dislike for corrupt rulers and the abuse of power. He uses these literary devices to do so:

Negative language

Negative language

  • The language used to describe the ruler is deeply negative. For example, “frown”, “sneer”, “wrinkled”, “stamped”.
  • This reflects the poet’s own feelings towards the king and those who rule in a cruel manner.
Alliteration

Alliteration

  • The use of sound in the poem contributes to the speaker’s distaste towards Ozymandias.
  • For example, the alliteration of the harsh ‘c’ and ‘b’ sound in “cold command” and “boundless and bare”.

Ozymandias

Ozymandias, who represents corrupt rulers and the misuse of power, is characterised as arrogant, proud and boastful. Shelley uses the following techniques to characterise Ozymandias in this way:

Imperative language

Imperative language

  • The imperative verb “look” indicates how controlling the king was.
Repetition

Repetition

  • The repetition of "king" in “king of kings” shows how Ozymandias wished to portray himself as omnipotent (all- powerful).
  • It suggests he is trying to deify himself (make himself a god) and wants to be worshipped as one.
Jump to other topics
1

Ozymandias - Percy Bysshe Shelley (1792-1822)

2

London - William Blake (1757-1827)

3

Storm on the Island - Seamus Heaney (1939-2013)

4

Exposure - Wilfred Owen (1893-1918)

5

War Photographer - Carol Ann Duffy (born 1955)

6

My Last Duchess - Robert Browning (1812-1889)

7

The Prelude - William Wordsworth (1770-1850)

8

Charge of the Light Brigade - Alfred Tennyson

9

Bayonet Charge - Ted Hughes (1930-1998)

10

Poppies - Jane Weir (Born 1963)

11

Tissue - Imtiaz Dharker (Born 1954)

12

The Emigree - Carol Rumens (Born 1944)

13

Kamikaze - Beatrice Garland (Born 1938)

14

Checking Out Me History - John Agard (Born 1949)

15

Remains - Simon Armitage (Born 1963)

16

Grade 9 - Themes & Comparisons

16.1

Grade 9 - Themes & Comparisons

17

Recap: Main Quotes

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